Apart from issues surrounding games and time lately I have also been thinking about where games are situated in relation to film. Which is ironic as the degree course that I run has just (literally, while I was away in Tokyo) been moved from the Film School into the Design Department. Seems the course is living out that balancing act on the knife edge between one discipline and another.
It really is just a managerial change, and it is not as if we are going to stop working with our film makers, but it does raise some questions in my own mind that might inform my take on the relationship between games and film that I hope will be explored in the DiGRA Film and Games SIG.
I wonder how these look as publications relevant to design:
-----. (2005) “Games” in Reading the Lord of the Rings, ed. Robert Eaglestone, London: Continuum, 151-161.
------. (2005) “Replicating the Blade Runner” in The Blade Runner Experience: The Legacy of a Science Fiction Classic, ed. Will Brooker, London: Wallflower.
-----. (2004) “To Infinity, and Beyond: Dialogue and Critique in Popular Film’s Portrayal of Video Games”, TEXT/Technology 13.1, 32-51.
Does it matter which institutional box I (and the games degree) get put in, I wonder? I knew I should have changed the name of the degree when I had the chance, but Computer Games Design was a bit of a giveaway...
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